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Emily Sundblad Si me dejas te destruyo
Inauguracin y performance 11 de Marzo de 2010, 19 hrs.
www.houseofgaga.com
Si me dejas te destruyo es una exposicin in situ en tres partes de Emily Sundblad que tendr lugar en tres diferentes puntos de la Ciudad de Mxico.
El ttulo es una cita textual de una entrevista con Gilbert y George en la que hablan de su relacin con el galerista Konrad Fischer, quien supuestamente los amenaz con esa misma frase, a la cual responde el duo esto comprueba lo mucho que nos estimaba. Habiendo yo trabajado como galerista en los ltimos seis aos, me relaciono mucho con el tonotrgicocmico de sta frase y con la naturaleza con la que captura el modo de la relacin artista / galerista. En plticas con mis colegas galeristas surge recurrentemente el sentimiento fsico y mental de ser simultneamente creados y destruidos por nuestro trabajo. La colaboracin artista / galerista implica polticas y relaciones engaosas, en las cuales el negocio suplanta al amor y donde la co-dependencia genera sueos de traicin. Mi muestra es un performance y ste es su ttulo.
El compositor y pianista Pete Drungle y yo hemos preparado un recital de canciones populares que interpretaremos especialmente para la ciudad de Mxico. Este diez de marzo por la noche intentaremos tocar nuestra msica en una calle transitada del centro histrico (ubicacin por anunciarse). Al tocar en la calle espero alcanzar un pblico fuera del mundo del arte. Nuestro punto de partida es el papel que tiene en Mxico la msica popular, la cancin ranchera en especfico. Gritos en busca del amor, stas canciones de pasin y muerte aparecen por doquier y atraviesan fronteras tanto de clase y profesin as como barreras fsicas. Como intrprete puedo ser una mujer o un hombre, una histrica, una soberana, un desastre y una mensajera. El da de la inauguracin tambin habr msica en la galera.
Mostrar mis pinturas en el restaurante Contramar es un guio a Martin Kippenberger. Pero a diferencia de l, yo no soy una pintora de tiempo completo, soy mas bien una pintora dominguera, una pleasure painter. Aqu, mis pinturas se escapan de la galera as como yo me escapo de mi papel de galerista. Pero tampoco nos escapamos tan lejos ya que el restaurante esta al lado de la galera en la que expongo. Las pinturas fueron pensadas para Contramar, lugar que juega un papel fundamental en la vida social y cultural de la ciudad de Mxico (Gabriela Cmara, propietaria del Contramar, es amiga, casera y mecenas de mi galerista Fernando Mesta). Los restaurantes como ste son lugares en donde las vidas y las carreras profesionales se hacen y deshacen en el transcurso de una comida.
La pintura de Picabia, Mujer en mascada negra, 1942, estar a consignacin de Michael Werner, galera de NY, a GaGa. La pintura ser mostrada en la galera va i-chat, transmitida en vivo desde Nueva York y proyectada en la ciudad de Mxico. La comisin de venta de sta pintura sera del 10 % de su valor total para GaGa. La proyeccin del Picab i a s e v u e l v e e n s t e c a s o u n a p e l c u l a / l l a m a d a t e l e f n i c a d e s e i s s e m a n a s . P e r s u a s i n c o m o o b r a d e a r t e .
h u s t l e v e r b ( P E R S U A D E )
/ h s . l /
[ I o r T ] m a i n l y U S i n f o r m a l t o t r y t o p e r s u a d e s o m e o n e , e s p e c i a l l y t o b u y s o m e t h i n g , o f t e n i l l e g a l l y
t o h u s t l e f o r business/customers
They made a living hustling stolen goods on the streets.
Gracias a Pete Drungle , Fernando Mesta, Gabriela Cmara, John Kelsey, Margaret Lee, Jared Madere, Britt Marie Sundblad y Amy Greenspon, Jos Rojas
Emily Sundblad , Ciudad de Mxico , Marzo 2010
Descanse en paz- Alexander McQueen
Emily Sundblad If you leave me I will destroy you
Opening and performance, March 11th, 2010 at 19 hrs.
www.houseofgaga.com
If you leave me I will destroy you is a three-part, site-specific exhibition by Emily Sundblad, taking place in three different Mexico City locations.
The exhibition title is a quote from an interview with Gilbert and George about their dealer Konrad Fischer, who supposedly said this to the artists (and this proves he was very fond of us). Having worked as a gallerist myself for the last six years, I can fully relate to the tragic-comical drama of this statement and to the nature of the relationship between artists and art dealers that it captures. In conversations with my dealer colleagues, a mental and physical experience of being simultaneously created and destroyed by our jobs is a recurrent theme. Collaboration involves a tricky politics of togetherness where business loses its distinction from love, and where co-dependency breeds dreams of betrayal. My show is a performance and this is its title.
The composer and pianist Pete Drungle and I have put together a recital of popular songs interpreted by us especially for Mexico City. On March 10th we will attempt to play our music on a busy downtown street (location to be announced). By playing on the street I am hoping to reach an audience outside of the art world. The role that popular love songs Rancheras - play in Mexico City life was our starting point. Crying out for love, these sex- and death-driven songs appear everywhere and cut across class as well as professional and physical boundaries. As a singer, I can be a woman, a man, a hysteric, sovereign, a mess and a messenger. There will also be music in the gallery on opening night.
Showing my paintings at the restaurant Contramar is a wink to Martin Kippenberger. Unlike him, I am not a full-time painter, perhaps more of a Sunday painter, a pleasure painter. Here, my paintings are on the run from the gallery, just as I am on the run from my job as a gallerist. But we dont run very far; the restaurant is next door to GaGa. The paintings were made especially for Contramar, which plays a pivotal role in Mexico Citys cultural and social life. (Gabriela Camara, who owns Contramar is the best friend, landlord, neighbor and patron of my gallerist Fernando Mesta). Restaurants like it are places where careers and lives can be made and unmade during the course of a meal.
Picabias painting Woman in blue scarf, 1942, is on consignment to GaGa from Michael Werner Gallery in New York. It is being exhibited in the gallery via an i-chat live feed from New York City. The potential sale of this painting generates 10% of its full value for GaGa. Projected here, the Picabia becomes a 6 w e e k l o n g m o v i e / t e l e p h o n e c a l l . I t i s a h u s t l e a s a r t w o r k .
h u s t l e v e r b ( P E R S U A D E )
/ h s . l /
[ I o r T ] m a i n l y U S i n f o r m a l t o t r y t o p e r s u a d e s o m e o n e , e s p e c i a l l y t o b u y s o m e t h i n g , o f t e n i l l e g a l l y
t o h u s t l e f o r b u s i n e s s / c u s t o m e r s
T h e y m a d e a l i v i n g h u s t l i ng stolen goods on the streets.
Gracias a Pete Drungle , Fernando Mesta, Gabriela Cmara, John Kelsey, Margaret Lee, Jared Madere, Britt Marie Sundblad y Amy Greenspon, w Jos Rojas
Emily Sundblad , March 2010 Mexico City
RIP- Alexander McQueen
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